Video Walls and Immersive Visualisation

A video wall is bought by size and judged by viewing distance.

On an LED video wall the dimension that decides whether it looks expensive or cheap is the pixel pitch against the nearest viewer, and the nearest viewer is almost never where the render put them. The second dimension is brightness against the light already in the room. A wall specified for a dark studio disappears in a glazed atrium.

Arrange SECCOM to calculate your real pitch and brightness from the nearest and furthest viewing position, at no cost. It frequently comes back cheaper than the first quotation, and occasionally it comes back honest about needing more.

What you get. A pitch and brightness calculation tied to measured viewing distances and measured ambient light, a mounting and service-access design, and a spares holding counted in modules and power supplies.

Where SECCOM stops. Walls that run continuously in an operations room, with source redundancy and automatic switchover behaviour, are specified under Command Centre. This capability covers walls people look at, not walls people work from.